Current issue

1 / 2017


  [5]-32 The distributional asymmetries of English antonyms in language use Kostić, Nataša | pdficon
  [33]-52 The media genre of the personal account: rhetorical and linguistic construction of the socio-cultural setting Kryzhanivska, Halyna | pdficon
  [53]-68 The comic of the heroes – a case study of the role of humour in reflecting national identity Maleková, Danica | pdficon
  [69]-87 Signifying Brno – creating urban space, shaping the city Pelclová, Jana | pdficon
  [89]-105 Racist and neo-Nazi panic in the Euro 2012 coverage by the British press: a discursive failure in interculturalism Wawrzyczek, Irmina | pdficon
  [107]-125 Is Philip Roth 'against political correctness'? : 'Whiteness' as desired norm and invisible terror in The Human Stain Barnard, Lianne | pdficon
  [127]-141 Between the global and the private: the Second World War and the Cold War in two novels by Lithuanian-Canadians Drewniak, Dagmara | pdficon
  [143]-156 Staging the North-South meridian: spatial and ontological explorations of the Northern experience in two Canadian dramas Kolinská, Klára | pdficon
  [157]-169 Penelope Lively's autobiographical memory Kucała, Bożena | pdficon
  [171]-183 Blue is (not) the warmest colour: contradictions of grieving in Joan Didion's Blue Nights Kusek, Robert | pdficon
  [185]-212 Disney's violent women : in quest of a 'fully real' violent woman in American cinema Tóth, Zsófia Anna | pdficon
  [213]-232 Dreaming in fire and working in clay: the problem of translating ideas into words in Arthur Machen's The Great God Pan Valentová, Eva | pdficon
  [233]-237 [Breeze, Ruth; Olza, Inés (eds.). Evaluation in media discourse: European perspectives] Molek-Kozakowska, Katarzyna | pdficon
  238 Brno Studies in English | pdficon
  239 Guidelines for authors | pdficon