Musicologica Brunensia

1 / 2017


 5-16Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music Landy, Leigh | pdficon
 17-27Roelof Vermeulen at Philips : a search for space in music Tazelaar, Kees | pdficon
 29-41Slippery bows and slow circuits Richards, John | pdficon
 43-52Everyone can be composer today – full stop or question mark? Rataj, Michal | pdficon
 53-61Melodic segmentation: structure, cognition, algorithms Cenkerová, Zuzana | pdficon
 63-68Technology or theology? : music beyond technology Flašar, Martin | pdficon
 69-78Arnold Schönberg and musica artificiosa : a rationality in the musical composition Fulka, Vladimír | pdficon
 79-87Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance Ladič, Branko | pdficon
 89-100C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch Rabinovitch, Gilad | pdficon
 101-116New media and the work of Slovak composer Tadeáš Salva Ščepán, Michal | pdficon
 117-126Music criticism in nineteenth-century England: how did it become a profession? Watt, Paul | pdficon
 127-137The role of technology in the aesthetics of postwar serial music Zagorski, Marcus | pdficon
 139-147Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser Armand, Louis | pdficon
 149-153Musica practica according to Roland Barthes Cseres, Jozef | pdficon
 155-168Listening to art on a seabed Horáková, Jana | pdficon