Aktuální číslo

1 / 2017


  5-16 Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music Landy, Leigh | pdficon
  17-27 Roelof Vermeulen at Philips : a search for space in music Tazelaar, Kees | pdficon
  29-41 Slippery bows and slow circuits Richards, John | pdficon
  43-52 Everyone can be composer today – full stop or question mark? Rataj, Michal | pdficon
  53-61 Melodic segmentation: structure, cognition, algorithms Cenkerová, Zuzana | pdficon
  63-68 Technology or theology? : music beyond technology Flašar, Martin | pdficon
  69-78 Arnold Schönberg and musica artificiosa : a rationality in the musical composition Fulka, Vladimír | pdficon
  79-87 Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance Ladič, Branko | pdficon
  89-100 C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch Rabinovitch, Gilad | pdficon
  101-116 New media and the work of Slovak composer Tadeáš Salva Ščepán, Michal | pdficon
  117-126 Music criticism in nineteenth-century England: how did it become a profession? Watt, Paul | pdficon
  127-137 The role of technology in the aesthetics of postwar serial music Zagorski, Marcus | pdficon
  139-147 Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser Armand, Louis | pdficon
  149-153 Musica practica according to Roland Barthes Cseres, Jozef | pdficon
  155-168 Listening to art on a seabed Horáková, Jana | pdficon