2 / 2018

 7-13Making space for Shakespeare in the Central European imaginary : editorial Billing, Christian M.; Havlíčková Kysová, Šárka | pdficon
 15-28Visualising process: Hofman's 1926 Hamlet reconstructive practice Fergusson, Cat | pdficon
 29-37A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets Matthews, Dan | pdficon
 38-63Scenographer Antonín Heythum and his work in the US: the case of King Lear Koubská, Vlasta | pdficon
 64-78From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre Wild, Jana | pdficon
 79-94Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad Koblišková, Zuzana | pdficon
 95-111A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián PeckoTomaszewska, Ewa | pdficon
 112-126The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno Inštitorisová, Dagmar | pdficon
 127-140Othello and the perception of race within the cultural context of Czech and Slovak theatres Koblišková, Zuzana | pdficon
 141-160Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts Tagareva, Albena | pdficon
 161-172The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969Spurná, Helena | pdficon
 173-181Interview with Jan Dušek (13. 2. 2018) Koubská, Vlasta; Dušek, Jan | pdficon
 182-186We must take these risks : interview with Matthias Warstat Kunderová, Radka; Warstat, Matthias | pdficon
 187-199Obamovo tělo : performativní aspekty politické rétoriky Warstat, Matthias | pdficon
 201-203Mirrors of/for the times: Shakespeare in Central European theatre Krajník, Filip | pdficon
 204-207Hlasy troch prekladateľov Wild, Jana | pdficon
 208-210What makes British musicals uniquely British? Zálešáková, Tereza | pdficon
 211-213Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium Kačer, Tomáš | pdficon
 214-216How to present ancient theatre on television Stehlíková, Eva | pdficon
 217-219The urge to share knowledge Turzíková, Tereza | pdficon
 220-222Theory as a 'tool-box': Brno Theatralia Conference 2018 Lánská, Dita | pdficon
 223-235Zich's Guilt – reactions to the concert performance of extracts Drozd, David; Spurná, Helena; Bártová, Jindřiška; Flašar, Martin; Drábek, Pavel; Zahrádka, Jiří; Částková, Patricie; Kovaříková, Hana; Hložková, Hana | pdficon
 237-267Curculio aneb Darmojed Plautus | pdficon