Aktuální číslo

2 / 2018


  7-13 Making space for Shakespeare in the Central European imaginary : editorial Billing, Christian M.; Havlíčková Kysová, Šárka | pdficon
  15-28 Visualising process: Hofman's 1926 Hamlet reconstructive practice Fergusson, Cat | pdficon
  29-37 A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets Matthews, Dan | pdficon
  38-63 Scenographer Antonín Heythum and his work in the US: the case of King Lear Koubská, Vlasta | pdficon
  64-78 From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre Wild, Jana | pdficon
  79-94 Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad Koblišková, Zuzana | pdficon
  95-111 A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián PeckoTomaszewska, Ewa | pdficon
  112-126 The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno Inštitorisová, Dagmar | pdficon
  127-140 Othello and the perception of race within the cultural context of Czech and Slovak theatres Koblišková, Zuzana | pdficon
  141-160 Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts Tagareva, Albena | pdficon
  161-172 The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969Spurná, Helena | pdficon
  173-181 Interview with Jan Dušek (13. 2. 2018) Koubská, Vlasta; Dušek, Jan | pdficon
  182-186 We must take these risks : interview with Matthias Warstat Kunderová, Radka; Warstat, Matthias | pdficon
  187-199 Obamovo tělo : performativní aspekty politické rétoriky Warstat, Matthias | pdficon
  201-203 Mirrors of/for the times: Shakespeare in Central European theatre Krajník, Filip | pdficon
  204-207 Hlasy troch prekladateľov Wild, Jana | pdficon
  208-210 What makes British musicals uniquely British? Zálešáková, Tereza | pdficon
  211-213 Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium Kačer, Tomáš | pdficon
  214-216 How to present ancient theatre on television Stehlíková, Eva | pdficon
  217-219 The urge to share knowledge Turzíková, Tereza | pdficon
  220-222 Theory as a 'tool-box': Brno Theatralia Conference 2018 Lánská, Dita | pdficon
  223-235 Zich's Guilt – reactions to the concert performance of extracts Drozd, David; Spurná, Helena; Bártová, Jindřiška; Flašar, Martin; Drábek, Pavel; Zahrádka, Jiří; Částková, Patricie; Kovaříková, Hana; Hložková, Hana | pdficon
  237-267 Curculio aneb Darmojed Plautus | pdficon