Theatralia

1 / 2022

Content

	7-12	The historical avant-garde in the European context : editorial Jochmanová, Andrea; Orawczak Kunešová, Mariana \|
Yorick
	13-26	Western European avant-garde theatre and puppetry : a reappraisal Plassard, Didier \|
	27-43	Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms Veselovska, Hanna \|
	44-64	Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s Chechyk, Valentyna \|
	65-86	The Slovene historical avant-garde and Europe in crisis Toporišič, Tomaž \|
	87-108	André Breton on French and Czech stages Orawczak Kunešová, Mariana \|
Spectrum – Spektrum
	109-136	Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara Šlaisová, Eva \|
Guests – Host
	137-148	Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar Orawczak Kunešová, Mariana; Béhar, Henri \|
	149-162	Central-European theatre avant-garde : reclamation or reimagination Kosiński, Dariusz \|
Reviews – Orientace
	163-165	A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre Slavkova, Iveta \|
	166-171	Translating the theatre act Drábek, Pavel \|
	172-176	Meaning-making in contemporary operatic performance Havlíčková Kysová, Šárka \|
	177-183	Konstanty, proměny a inovace tanečního vzdělávání v České republice Šalounová, Kateřina \|
Events – Depeše
	185-187	To provide, not to direct : perceiving from the position of fragility Raiterová, Eliška \|
Archive – Archiv
	189-203	Lola Skrbková (1902–1978) Jochmanová, Andrea \|

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