Multimodalita hudebního vnímání a poznatelnost hudby ve světle současného výzkumu
| Title in English | Multimodality of Musical Perception and the Epistemology of Music under the Scope of the Current Research State |
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| Year of publication | 2017 |
| Type | Appeared in Conference without Proceedings |
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| Description | The paper presented exemplifies, on several analytical models derived from the European theoretical tradition, the development of the effective usage of the multimodal (multi-channel) principle of musical perception. And shows it's connection to the epistemological reflection of the musical work. We present the consequences of this phenomenon in the subtle perspective of "musical knowledge" category, in the field of musical historiography, but also, it's significance in terms of general musicology - conceptualising music as an entity and a creative process itself. At the same time, the concept wants to provide a structured view on contemporary practice in musical research. Finding answers for the questions posted can offer a new path in clearing view about the idea of the "Essence" of the musical work, especially in the scientifically oriented way of exploring the musical universe. |