Czech Ethnochoreology in the Context of Time and Society
| Authors | |
|---|---|
| Year of publication | 2017 |
| Type | Article in Periodical |
| Magazine / Source | Národopisná revue |
| MU Faculty or unit | |
| Citation | |
| Web | https://revue.nulk.cz/wp-content/uploads/2021/04/r5-2017.pdf |
| Field | Archaeology, anthropology, ethnology |
| Keywords | Czech ethnochoreology; folk dance; folklore movement; folk culture. |
| Description | The history of Czech ethnochoreology follows the general development of the interest in traditional folk culture and formation of ethnochoreology in the European geographical space. At present, ethnochoreology is perceived as part of ethnology; however, it overlaps beyond this discipline, especially towards the art-historical study of dance and music. From the late 19th century, dances began to be collected in particular regions and the first collections with folk dances were published. The always stronger wave of the interest in folk dance was intensified by the disappearing dance tradition in the countryside. The intellectuals’ efforts did not focus only on recording the dance, but also on maintaining them. The folklore movement, which built its social position between the two world wars, became stronger in the second half of the 20th century. At that time, the institutionalized aspect of ethnochoreology developed in the Czech lands, and both levels, the practical and the theoretical one, complemented each other. Czech ethnochoreology became involved in international professional structures and the subject-matter of its interest began to spread beyond the borders of traditional folk culture. It focuses not only on folk dance, but on dance as a phenomenon that is one of the oldest expressions of people’s souls and emotions in human existence. |