Meaning-making in contemporary operatic performance
| Authors | |
|---|---|
| Year of publication | 2022 |
| MU Faculty or unit | |
| Citation | |
| Description | Review of Tereza Havelková's book "Opera as Hypermedium. Meaning-Making, Immediacy, and the Politics of Perception". New York: Oxford University Press, 2021. 200 pp. ISBN-13: 9780190091262. |
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