Jednání sám za sebe v dané situaci. Vyskočilovo dialogické jednání s vnitřním partnerem jako průnik vlivů K. S. Stanislavského a J. L. Morena
| Title in English | Acting ‘For Oneself’ in a Given Situation. Vyskočil’s Dialogical Acting with the Inner Partner as an Intersection of the Influences of K. S. Stanislavsky and J. L. Moreno |
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| Authors | |
| Year of publication | 2024 |
| Type | Article in Periodical |
| Magazine / Source | ArteActa |
| MU Faculty or unit | |
| Citation | |
| web | ArteActa |
| Keywords | Ivan Vyskočil; Konstantin Stanislavsky; Jacob Levy Moreno; acting; Dialogical Acting with the Inner Partner |
| Attached files | |
| Description | The study focuses on the phenomenon of an actor on stage acting for himself, as explored and developed by the actor, teacher, writer and psychologist Ivan Vyskočil in the discipline of Dialogical Acting with the Inner Partner in the 1970s and 1980s. In his acting pedagogy, Vyskočil combines the basic elements of the Stanislavsky System (public solitude; acting in given circumstances) and the psychodrama of Jacob Levy Moreno, with which he became familiar during his studies in psychology in the 1950s. In addition to Moreno's notion of spontaneity, Vyskočil was inspired by various variants of enactment, acting out and abreaction. Unlike Moreno, he does not work with them therapeutically, but creates his own distinctive concept of authorial acting and open dramatic play. The study also provides an overview of the Czechoslovak reception of Moreno's psychodrama in the post-war period (1949-1968). |