Renesanční epitaf jako médium konfesijní identity v prostředí předbělohorské Chrudimi. Památník Tomáše Lvíka Domažlického (1616) a Salomeny Francové z Liblic (1619) jako historicko-antropologický pramen
| Title in English | Renaissance epitaph as medium of confessional identity in the Chrudim before 1620. Monument of Tomáš Lvík Domažlický (1616) a Salomena Francová z Liblic (1619) as soutrce of historical-anthropology |
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| Authors | |
| Year of publication | 2008 |
| Type | Article in Periodical |
| Magazine / Source | Theatrum historiae 3. Sborník prací Katedry historických věd Fakulty filozofické Univerzity Pardubice |
| MU Faculty or unit | |
| Citation | |
| Field | Art, architecture, cultural heritage |
| Keywords | Chrudim; epitaphs; Matouš Radouš; renaissance painting; confession; confessional identity; visual media; commemoration |
| Description | The article focuses on an epitaph of one Chrudim citizen before 1620 - a work of Matouš Radouš, a painter of the town Chrudim. The study suggests taht epitaphs should be interpreted not only as works of art but due to their specific iconography tehy can also serve as special historical-anthropological sources informinag us about confessional identity of commissioners. |