Land as a Mother, Land as a Grave. Productions of Verdi‘s Macbeth after 1989 and/from Cognitive Perspective

Authors

HAVLÍČKOVÁ KYSOVÁ Šárka

Year of publication 2019
MU Faculty or unit

Faculty of Arts

Citation
Description The paper focuses on the productions of Verdi's opera Macbeth in the Czech Republic after 2000 from the perspective of cognitive theatre studies. The Coceptual Integration/Blending Theory is applied to analysis of the productions.
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