Modalization, Serialization and Intervalization
| Autoři | |
|---|---|
| Rok publikování | 2008 |
| Druh | Článek v odborném periodiku |
| Časopis / Zdroj | Acta Musicologica |
| Fakulta / Pracoviště MU | |
| Citace | |
| www | http://acta.musicologica.cz/08-02/0802s03.pdf |
| Obor | Umění, architektura, kulturní dědictví |
| Klíčová slova | modal scales; serial music; musical theory; musicology |
| Popis | The paper focuses on modal, serial and interval musical composition with references to Alois Piňos' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness. |